倪瓒诗与画的乖违
Differences between Nizan’s Poems and Paintings
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摘要:元人倪瓒在山水画领域,与其在诗歌领域取得的成就存在巨大反差。其诗、画颇存乖忤之处:诗多因袭,画重革新;诗爱“春”色,画喜“秋”景;诗色浓重,画意简净;诗之意象庞杂,画之意象单纯。二者诸多的忤悖,有助于我们认识更为丰满、完整的倪瓒形象。Abstract:There are great differences between the Yuan Dynasty poet Nizan’s mountain-and-water paintings and his poems. Most of his poems are traditional, while his paintings are creative; spring is described in most of his poems, while autumn is depicted in most of his paintings; his poems are rich and gaudy but his paintings succinct; the images of his poems are numerous and complicated but the images of his paintings are pure and simple.
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[1] 胡应麟. 诗薮[M]. 上海:上海古籍出版社,1979:229,230. [2] 房玄龄,等. 晋书[M]. 北京:中华书局,1974:2462-2463. [3] 徐复观. 中国艺术精神[M]. 桂林:广西师范大学出版社,2007:244. [4] 潘天寿. 中国绘画史[M]. 北京:团结出版社,2006:172. -
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